ZUZWA for a June wedding
A wedding at Cap-Ferrat in late June is not the same wedding as one in Brooklyn in late June, and dressing for it isn't either. The Riviera asks for less than people think — a wide-leg trouser, a silk shirt that sits an inch off the collarbone, sandals that don't announce themselves. The work is in the restraint.
June weddings carry their own physics. The month sits between spring's last coolness and July's full heat. You're dressing for a ceremony at three, cocktails at seven, dinner at nine-thirty, and a terrace at midnight. Four temperatures. Four moods. The friction is real.
ZUZWA understands this. The Parisian maison — helmed by Zuzanna Wójcik since 2019 — builds clothes that move between registers without announcing the shift. The silhouettes lean architectural but never stiff. The palette runs to chalk, stone, sand, occasionally a deep rust or ink. Everything is cut to breathe.
Here's how to dress for June, in four parts.
The ceremony: linen suiting that doesn't crease like a roadmap
ZUZWA's double-breasted linen blazer in ecru does what most linen doesn't: it holds its line. The fabric is a heavier-weight European flax, pre-washed and calendared so it softens without collapsing. Wear it over the matching wide-leg trouser — they sit high, break cleanly at the ankle — with a silk camisole underneath in the same colour family. Tonal dressing here isn't about blending in. It's about not fracturing your line when you're already managing heat and a wooden folding chair and someone's trailing vows.
The blazer's shoulder is clean but not sharp. You can take it off between the ceremony and cocktails without the whole outfit falling apart. That matters. A lot of occasionwear only works as a full kit. ZUZWA builds in exit strategies.
Shoes: a low block-heel sandal, leather, nothing that sinks into grass. Keep jewellery to one piece. A cuff or a single earring, not both.
Cocktails: the shirt that does the work
By six the light has changed and so has the dress code, even if no one said so explicitly. You've lost the blazer. What's underneath has to hold.
ZUZWA's oversized poplin shirt — they call it the Architect shirt, it's been in the line since Spring/Summer '21 — is cut long enough to wear as a tunic over slim trousers or alone over a slip skirt. The poplin is Portuguese, tightly woven, holds its shape in humidity. The collar is exaggerated but not costume. It frames your face without eating it.
Wear it open over a silk bralette (ZUZWA makes one in ivory with a barely-there trim) and the same trousers from the ceremony, or swap in a bias-cut midi skirt in sand-washed silk. The skirt moves when you do. It doesn't cling. If you're working with the trousers, cuff them once and add a flat slide in cognac leather. If it's the skirt, stay barefoot in a strappy sandal, something with ankle interest but no height.
This is the hour when people start to relax. Your clothes should already be there.
Dinner: the dress you didn't think you needed
ZUZWA's slip dresses do something uncommon: they look better on a body than on a hanger. The cut is deceptively simple — bias, mid-calf, thin straps — but the silk is a heavier charmeuse that skims rather than clings. The drape is everything. It moves with you, not ahead of you.
The maison makes this silhouette in five colours each season. For June weddings, the chalk or the rust. Chalk if the venue skews formal or coastal. Rust if there's warmth in the palette already — terracotta, amber, that late-day golden light that makes everyone look like they've been cast in a Sorolla painting.
Layer a lightweight knit cardigan over your shoulders if the venue has air conditioning that borders on aggressive. ZUZWA's fine-gauge merino cardigans are cropped, sit just at the natural waist, don't bulk. You can knot the sleeves loosely in front or wear it open. Either way it's a gesture, not a statement.
Shoes: a kitten heel or a heeled mule, depending on how much standing you're willing to do. A slim gold bracelet. That's it.
Midnight: the trouser you should've worn all along
By the time you're on a terrace with a drink and the music has shifted from string quartet to something with a backbeat, the dress code has dissolved entirely. This is when ZUZWA's wide-leg silk trousers make sense in a way they didn't at three in the afternoon.
High-waisted, fluid, they pool slightly at the ankle. Pair them with a silk camisole or a ribbed cotton tank, depending on the temperature. Add flat sandals, the kind you can actually walk in. If you kept the Architect shirt from cocktail hour, wear that instead — half-tucked, sleeves rolled.
The trousers come in ivory, black, deep navy. All three work. The ivory if you're committed to tonal dressing all night. The navy if you want a clean break from the day's palette. The black if you know yourself well enough to know you'll spill red wine at some point.
What not to do
Don't wear anything that requires a strapless bra and a prayer. Don't wear shoes you haven't walked in for at least twenty minutes on pavement. Don't try to out-bride the bride with a white dress unless you've been explicitly invited to. Don't wear a fascinator unless you're at Ascot, and even then, reconsider.
And don't pack like you're dressing four different people. ZUZWA's line works because the pieces speak to each other. A blazer, a shirt, a slip dress, a trouser. Four temperatures, one wardrobe. That's the point.





